Wednesday, April 6, 2016

Mother's Day Minis


It's that time of the year again, when we get to celebrate Mommies for everything they do for us. So why not treat them to a portrait session with their children?

For a limited time, I am offering a discount on Mom and Me sessions, with them being only $100 (Reg. $250) until April 30th.

Each session will entail:
20 minute photo session in Downtown Jackson (Armory or Train Station)
10 digital images
downloadable gallery for viewing
print release
25% off prints and albums

Sessions will be booked on a first come, first serve basis, with payment due at booking to secure your reserved date and time. No refunds will be given for missed appointments, tardiness, or cancellations.

Wednesday, March 9, 2016

Alyson's Quince | Sessions

March 9, 2016 | Alexandria Sayles

I have been a little behind on posting session blogs this year. Between sessions, school, and raising a family, time has gotten away from me... quite literally. I can't believe it is already March!

A few weeks ago, I had the opportunity to shoot my first quince. For those of you that don't know, it is a celebration of a young Latina into womanhood on her 15th birthday. I have been to many throughout the years as both my family and my significant other's family are Mexican, but it was a honor for the Lipp family to let me photograph their daughter Alyson's big day.


The ceremony was beautiful, friends and family gathered to watch as Alyson received gifts from loved ones to symbolize her journey into womanhood. Surrounded by a court of her closest friend, it was set to be a day to remember. It was also nice because it was the only day in February where the weather was full of sunshine and the temperature was above 55 degrees. The perfect setting to a gorgeous day!


After the ceremony, we traveled to the Capitol to get pictures of Alyson and her court, we were greeted by many wonderful people and even one woman wanted a selfie with the court. It made for quite a laugh and a great opportunity for some candid smiles. (Perfect for me to work with!)



Afterwards we took a trip to visit Sparty, since both she and her family are huge Michigan State fans. (I do not condone this, being a Michigan fan myself lol) But it was great that we could set our team differences aside to get some great pictures next to Sparty. (I just acted like someone was playing Ohio State, it's the one time that we all come together haha 






The reception was beautiful and the Daddy Daughter dance was tear jerking for many watching. It was such a great experience to be able to capture all of the heartfelt moments for the Lipp family. Plus you can't beat amazing homemade Mexican food and the Cumbia! 

Friday, March 4, 2016

Galleries Are Our Friend


Getting Your Work Out There

Alexandria Sayles | March 4 2016

*This article is written for a publication located in Jackson, Michigan and most information is predominant to that area.* 





As artists, we love having our work shared and admired; I mean who wouldn’t? From that perfect shot to post processing, we take hours, even days, completing the perfect composition of our photographs. Most images are uploaded to Facebook, Twitter, Instagram, or another photo sharing site. Some end up on a personal or business website, but forget about one of the great opportunities out there for artists, galleries. Many of us dismiss submitting our work to galleries, because we think they are only “well established, famous” artists. The truth is, there are exhibitions for every medium and skill; you just have to know where to look. 


LOCAL OPPORTUNITIES

Living so close to Detroit and its art scene means getting into local shows is possible for everyone. In Jackson alone, both Art 634 and Ella Sharp Museum of Art have open calls for exhibits anytime of the year. If you just want to dip your toes in the water, I recommend renting space at Art 634 for three hours. It only costs $75, and it gives you an idea of what longer gallery exhibits feel like.

Ella Sharp, is free to apply to, but work is not guaranteed to be accepted as an exhibition. Like most galleries, the exhibitions are selected by a committee, and, through a jury, put to a vote for acceptance. Many juries will have the jurors listed before you turn in your application, and it makes it easy to Google their work to see what their personal style is and what appeals to them. While it’s not 100% guaranteed way to get your work accepted, taking the time to research the jurors gives you an idea how they might vote in regards to your work.

Both Ann Arbor and Detroit also have opportunities for artists. In Ann Arbor, the WSG gallery and the Detroit Art Market continuously have annual open calls for artists to exhibit in their galleries. The Detroit Institute of Art, also holds an exhibition once a year for local artists. Contact information for the galleries mentioned above can be found at the end of this blog. Another great perk of living under 100 miles away from many exhibitions is saving loads of money on shipping artwork to galleries out of state. Trust me, it’s expensive shipping work and ensuring it arrives in one piece. 



NATIONAL & INTERNATIONAL OPPORTUNITIES

One great thing about living in this technology age is the ability to see what is going on all over the world; it’s the same with exhibition exploring. Many sites that have combined all open calls for galleries into an easy to follow search option on their website. I use this option more often than applying by mail or talking to curators because of my extremely hectic lifestyle. You may have a different reason for wanting to complete applications completely online, no judgment from the peanut gallery over here.

My favorite site to use is Call for Entry or CaFÉ™ (www.callforentry.org). This site allows you to search through opportunities locally, nationally, and internationally; it also lists residencies and public art project opportunities. You have to be a member to apply to calls, but the membership is free and easy to obtain. On their site, you can save your portfolio and have easy access to your submissions when you find a call you want to apply to. Please note, many galleries have application fees when applying, ranging from free to upwards of $75. The fees are non-refundable, so be selective with your submissions.

Below is a list of other websites that display exhibition opportunities: 



WHAT YOU NEED TO APPLY

Many galleries request the same requirements when applying including:

  • A completed exhibition proposal form/application
  • Brief biographical paragraph
  • Artist’s statement of intent
  • Images of work (These can be digital images on a CD or uploaded through a submission website. In most cases, images submitted on a CD should be saved in JPEG format with 300 dpi resolution)



 Saving versions of your biography and artist statement can make applying easier. I also recommend saving a shortened version of your statement, since many galleries have a length requirement.




Though exhibitions look good on your artist resume and CV, they can get stressful. Don’t overwhelm yourself. Being an artist is about producing work that you love, don’t let anything disrupt that.







CONTACT INFORMATION

ART 634
634 N Mechanic St
Jackson MI, 49201
Gallery 634 at $25 per hour/3 hrs.
Phone: Dave Youngdahl at 517.499.9585


Ella Sharp Museum of Art
3225 Fourth Street
Jackson, MI 49203
Phone: 517.787.2320

Detroit Artist’s Market
4719 Woodward Avenue
Detroit, MI 48201
Phone: 313.832.8540

WSG Gallery
306 S. Main Street
Ann Arbor, MI 48104
Phone: 734.761.2287

Thursday, February 18, 2016

So You Want To Be A Photographer? What to do to establish your photography business

So You Want To Be A Photographer? What to do to establish your photography business
February 18, 2016 | Alexandria Sayles


Photography is something that I love to do, and as the years go on I realize the passion I have for it continues to grow and grow. It was this fire that drove me to continue with capturing portraits as my career path and expand my abilities. But, as I was building my portfolio, I begun to ask myself, "What do I need to do next?" How do I establish myself, and my name as a business?

When I decided to pursue photographing as more than a hobby, I was lucky to have guidance in the right direction from many different resources, mainly my dad. He started his own business when I was 4, and has always answered any questions I had when I decided to make the next leap. Yes, starting a photography business is exciting, but setting up business is so super important! I was lucky to have my dad know the in's and out's to owning a business, but I know many people don't have that ability. 





That's where this post comes in to help.

So many people do not understand the consequences of running a business without the right licenses and paperwork. It is not as simple as taking money from a client and pocketing it for profit. That is illegal; actually taking any form of payment for services rendered without reporting the proper documents and taxes is illegal in ALL 50 states of the US. Many states will prosecute businesses ran illegally, and the end game can be anywhere from the State and Federal government requiring you to close your business and not reopen a new one, to thousands of dollars in fines, to even jail or prison sentences. So please, don’t be a rebel, legalize your business to avoid any penalties.

“The IRS presumes that an activity is carried on for profit if it makes a profit during at least three of the last five tax years, including the current year” -Internal Revenue Service

To help people out in this, I have collected the necessary steps to starting your photography business, the right way! 

STRUCTURE

The first step when you decide to start collecting money for your services is to figure out what you want to call your business. This should be done before ANY form of payment is ever received. Since I am currently located in Michigan, I will use this state as an example for the proper means to get your business certified.

There are a few options to certify your business, Sole Proprietor, LLC, C Corp, S corp or a Partnership.  Choose the structure that fits what you want for your business. Just because others choose one thing that doesn’t mean that you have to do the same. Below is a link for helping decide what structure works best for your company.





There is also another option for if you are just a hobby photographer and will not charge for your services, but it still must be filled out. This is known as a DBA (Doing Business As). This form lets you run a business under the assumed business name, but doesn’t protect that name from other people using it.

“Although the DBA is a business name and allows you to do business under an assumed name, it is not a legally REGISTERED entity name with the State of Michigan and it does not assure you that your business name will be unique and reserved for your use only.” 
-State of Michigan 
Since a DBA is not an entity at all, but rather just an assumed name, the individual doing business under an assumed name must pay taxes in accordance with its own filing status as income.  An individual doing business under an assumed name must file taxes as an individual and offers no protection from any form of legal suit. Anyone doing business under an assumed name can be sued personally for any negligence, conflict, or accusations. Which is why I don’t recommend that anyone, other than hobbyist that do not charge for their services, to just conduct business under a basic DBA.

For the state of Michigan, the forms can be found at the following links:

DBA Michigan




I, personally, chose an LLC for my business structure. Many other photographers choose other entities, but this is what suited my needs the best. Since, I have the most experience with running my business this way I will show the steps to establishing a business in this direction. If you chose another structure many of the filing situations are the same, but it is different paper work for the structure.



When filing for an LLC, you can find the form online and print it off, or you can go in person to file at the nearest government business entity location. For me, it was easier to fill out the form online and mail it in with my payment. Each state has a filing fee, but they vary from state to state. For example, in Michigan, the filing fee was $50 and it was an approximately a 2-4 week wait for filing to be submitted and my form returned to me. If you go in person, the time is a bit shorter, but locations vary. The form to fill out is listed below for the state of Michigan.

LLC Form





ESTABLISHING TAXES

After you have your entity formed, the next step in establishing your business is to file for business taxes. To do this you apply for an EIN (Employer Identification Number), which is done online at the following link.


Apply for an EIN Number




Businesses must file both Federal and State taxes, depending on their state’s requirements. The link for Michigan state tax registration can be found in the following.

Michigan State Tax




These are so you can file the taxes on your services. Most states require sales tax on tangible goods, which in photography means, that if you provide any images to your client, you must pay sales tax on those. Look into your own state’s sales tax guidelines to be sure you know what products and/or services to charge tax on.  Also, if you offer all-inclusive collections, not paying sales tax may be a big N-O for your state! For example, in Michigan you must charge tax on everything that was physically given to the client, whether it was in CD or USB form, print, or digital download.


PROTECTING YOUR ASSESTS


The next step after certifying your photography business legally is protecting yourself from any liabilities. This is done with developing a client/photographer contract and purchasing insurance for your company.

Before you accept any money from your client, I recommend having a filled out photography agreement signed and dated. These entail the service you are given, when and where, what you are including in said service, along with the cost and payment plans if necessary. This protects both you and your client is a misunderstanding happens to take place. I know many people think that the random client horror stories that they hear will “never happen to me,” but it always better to be safe than sorry.

You’ll want a contract for every session type, and a legal document to cover all of the following:
  • Model Release
  • Print Release
  • Portrait Agreement
  • Independent Contractor Agreement (for second shooters)
  • Copyright Notice


I purchase all of my contracts from Rachel Brenke of The Lawtog, being a lawyer and a photographer herself, she created contracts for various session types and offers much advice on legal and technical business aspects. You can purchase her contract at the following link, but always have a lawyer double check the clauses since states vary with legalities.






A contract protects you as much as it can, but sometimes Mother Nature happens and it is best to have insurance to cover all of those various needs.






The following are types of insurance you need when operating a photography business:
(Also a shout out to The Modern-Tog for the shortened information!)

#1 Equipment Insurance
This will cover all equipment related to a loss or damage due to a variety of events. The type of equipment, coverage and loss causes will be defined through specific coverage policies. At a minimum, photographers need equipment insurance to cover the following equipment; camera, lenses, computers, business interruption, etc. Equipment insurance should also cover the basic losses due to severe weather, damage through dropping, and theft. It is especially important to not assume that your homeowner or renter insurance covers business equipment as many policies exempt equipment used for income purpose.

#2 General Liability Insurance
This insurance is especially critical for photographers working in sensitive specializations (wedding, newborn, extreme sports, etc.) This insurance works as an umbrella to provide protection against legal actions arising from injuries, accidents and other claims.

#3 Commercial Automobile Insurance
This insurance acts to cover the photographer for auto accidents in case the personal automobile insurance does not cover commercial activities. It provides financial protection against potential bodily injury and physical damage to the vehicle that results from automobile accidents. Some jurisdictions require this insurance to be held under specific circumstances so always check your local laws.

#4 Disability Insurance
The insurance should be on the “to get” list as quick as possible for photographers that depend upon photography as their sole income. This insurance is a form that insures the photographer’s earned income against the risk of disability (sickness, etc.) that prevents them to fulfill their work capacity. As a small business owner, planning to weather bad storms that may come your way is worth the investment and time especially when it could potentially cut off all income.

#5 Property Insurance (Owner or Renter)
If you own or rent a studio, insurance to protect against damage to the building and items within are crucial. It is also important that a photographer consider selecting a policy that includes business loss of earning insurance to protect earnings in the event that the shooting location is damaged or destroyed. Note: Some property insurance policies include all equipment within the property and others do not. Always read your policy.

#6 Life Insurance
This type of insurance is important for a small business owner’s peace of mind and allows your family and friends to be covered in the event of your death. Savings helps to provide in the event of death but life insurance can help to supplement for settlement of debts and related expenses in closing up the business.

Many insurance agencies offer bundled discounts to business, so shop around for quotes.


GET THE CORRECT PERMITS TO WORK

Since so many of us photographers shoot on location rather than in a studio, it is important to make sure you have permission to be shooting on certain properties, along with knowing what is legal to shoot on versus what isn’t. For any private property, you must obtain the permission from the owner in written form before proceeding to shoot on said property.

To ask permission to shoot on private property, Rachel has another fabulous post with tips and what to include in a private property agreement.

Many public places also have policies regarding photography on the premises, make sure you double check all the regulations before you ever book a session at a new location to see if you need to get a permit to photograph on that property.

“Don’t get shut down for simply not getting the right licenses and permits for shooting.  Licenses can include extra business licenses on top of your formation.  Permits can be for specific shooting areas” 
-Rachel Brenke 




After all of your legalities are established and you have everything covered to protect yourself and your business, you are ready to start taking on paying clients! 
Oh happy days! Welcome to the land of small business owners, may the force be with you!